Tommy (1975)

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Ken Russell directs Roger Daltrey, Ann-Margaret and Oliver Reed in this musical fantasy rock opera about a psychosomatic death, dumb and blind kid who becomes a pinball messiah.

A movie that never once submits to a boring shot or cut even if it slightly outstays its welcome by the end. There’s a brilliant central turn by Ann-Margaret as Tommy’s equally disconnected mother, frames of showgirls in gas masks and that brilliant The Who soundtrack. Tommy is an acquired taste for sure, of its time and wilfully nonsensical, but the sheer power of the imagery generated from the rock is undeniable. It also has four or five genuinely unsettling moments in the lengthy sequence of Tommy’s corruption.

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