Fences (2016)
Denzel Washington directs himself, Viola Davis and Stephen Henderson in this faithful adaptation of the August Wilson play following a black family in the 1950’s coming up against their own thwarted ambitions and emotional compromises.
A tough one this. There are at least a half a dozen sequences of dialogue and monologue so masterfully acted, painting emotions and unspoken truths so raw, that Fences should really be a five star classic. But more often than not the clumsy attempts to open the play out, plus some of the more lyrical and idiom heavy writing, remind you you are watching a fish be fowl. It does not help that a few characters are out and out walking metaphors rather than flesh and blood humans either. Watching something that works better, would be more involving and takes risks more forgivable in a live theatre environment than on the multiplex screen 8, Wednesday evening showing. (Walkouts galore at my screening… the plebs.) Something that needed to be adapted more to be a good movie rather than a play with a real sky instead of painted backdrop behind it. Still Denzel the actor brings it, when was the last time Denzel brought it? Man on Fire? Training Day? The Hurricane? Viola Davis, who always brings it, is more than a match for him. #OscarSoWon.
6