David Wain directs Will Forte, Domhnall Gleeson and Martin Mull in this irreverent biopic of the creator of National Lampoon.
The screenwriter of Caddyshack did too much coke. Boo hoo! The tone of this is all over the shop. Joel McHale as Chevy Chase is a cheeky wriggle in every direction your brain wants to take it though.
Bit disappointed after finally catching up with this Brian blindspot. After a strong start it just meanders. Looks as if it was intentionally filmed to resemble a Flake advert. Cliff Robertson was allegedly a real shit on set and he leaves a void where a proper star should be. The ending feels abrupt like they ran out of money and rushed something… anything. It ends up being enigmatic and creepy. But not in that good way… just leaves you with too many lingering questions you don’t really want the answers too. Icky but still De Palma.
Tilman Singer directs Hunter Schafer, Dan Stevens and Jessica Henwick in this mystery where a 17-year-old is forced to move with her family to a resort where things are not what they seem.
Creepy little chiller that only lets slip what the fuck is actually going on by the third act. Stevens (as always) is the MVP. Nice dark sense of humour to this one.
Louis Malle directs Brigitte Bardot, Jeanne Moreau and George Hamilton in this zany historical adventure set in Central America where an Irish terrorist’s daughter joins a burlesque show but also stokes a revolution.
Wild, one of a kind movie that could only be made in 1965. A struggling studio clearly wanted to fund a Euro epic and get in on that already past it Nouvelle Vague stylee. What they get is a pop art blast as silly as it is sexy. Moreau and Bardot!! Come on. It was never gonna be unwatchable. Grubby spaghetti western visuals. Makes violent civil war seems like a frilly kids movie anarchist romp.
7
Perfect Double Bill: …And God Created Woman (1956)
Kelly Reichardt directs Lisa Donaldson, Larry Fessenden and Dick Russell in this lo-fi “lovers” on the run flick.
Shoestring Reichardt is probably better than overrated, critically lauded Reichardt. This is indistinguishable from dozens of calling card debuts from the first half of the Nineties. I like its grimy, languid, feminist atmosphere.
Robert Hiltzik directs Vincent Pastore, Felissa Rose and Michael Gibney in this cheap slasher legacy sequel.
Amateur hour cash-in. Ludicrous kills but (hey) poorly executed. Gets a few of the original actors in but doesn’t really acknowledge how badly they have aged over 20 plus years. Get a real job! Has maybe the most annoying character ever to grace the screen front and centre in Alan. “Your ass stinks!” Compellingly awful.
David Robert Mitchell directs Anne Hathaway, Ewan McGregor and Maisy Stella in this throwback sci-fi adventure where the Platt family bands together to navigate their new surroundings after a cosmic event transports their suburban street into prehistoric hunting grounds.
He sure takes his time between projects but David Robert Mitchell is now three in a row for highly entertaining cult favourites. This is everything a slowly decaying adult kid wants from a movie openly inspired by Jaws, Poltergeist, Gremlins and Jurassic Park. Hard candy for Gen X-ers. Intense build -up, superb thrill sequences, shocking FX that lean as much towards threat and gore as wonder, McGregor’s retro short shorts. Feels both precise and chaotic. In an alternative universe this is the blockbuster of the summer instead it is a dog days oddity primed for those in the know. Sledgehammer versus Allosaurus! I’m in. Even the final shot is a subversion and celebration of the Amblin template.
Gregg Araki directs Olivia Wilde, Cooper Hoffman and Mason Gooding in this BDSM sex farce where a kinky conceptual artist makes one of her assistant’s her new bedroom muse.
James Ashcroft directs Robert De Niro, Michelle Monaghan and Adam Scott in this serial killer chiller where a writer’s son is kidnapped and he has to turn to his own estranged father who caught the new child killer’s inspirational mastermind decades before.
Rock solid cast play serial killer movie cliche bingo. De Niro, Monaghan and Michael Keaton are top value but this is a trifle of gloomy coincidences.
Matt Johnson directs Dominic Sessa, Antonio Banderas and Emilia Jones in this biopic following the summer a young Anthony Bourdain took his first kitchen job.
A soulful and gritty good time. Would works just as well if it were about a feckless, unlikable fictional wannabe who you root for despite himself. Sessa is in danger of being typecast. Leo Woodall cooks in this as the bad boy who represents the dark paths Bourdain’s life may easily take. This movie taps into an area not really explored often enough in movies what happens when your teenage dreams fall flat on their face and you have no plan B. Rock bottom has never looked so sexy. One Battle After Another’s cinematographer Michael Bauman gets the 70s summer location mood down perfect.