Sam Raimi directs Bruce Campbell, Embeth Davidtz and Marcus Gilbert in this horror comedy where Ash is transported back to medieval Britland to fight the Deadites.

As much a dry run to Xena and Hercules as an Evil Dead sequel… the focus here is very much on heroics and silliness over scares and gore. Really the cast list should read Bruce Campbell, Bruce Campbell and Bruce Campbell the Chin fights so many incarnations of himself. Evil Ash, Diddy Ashes and conjoined Ashes. Raimi gets full value out of his matinee idol gurner, allowing him to ham it up regally. This is the Ash everyone remembers when they think about Campbell… well above taking the fantasy adventure cliches seriously, out for himself and full of looney catchphrases. The character is finally set in stone, ready for the eventual joyously daft TV series. After a lot of larks, the final siege goes on forever and there’s clearly a point in filming that epic sequence where the FX budget was suddenly tightened. The Deadite quality level noticeably drops before the finish line. But I enjoyed this as much as its ever growing cult reputation suggested. Probably haven’t seen it since I was a teenager and it was funnier and pacier and more cheapo spectacular than I remember. I chuckled my sweet butt off. “Gimme some sugar, baby.”

8

Check out my wife Natalie’s Point Horror blog https://cornsyrup.co.uk

We also do a podcast together called The Worst Movies We Own. It is available on Spotify or here https://letterboxd.com/bobbycarroll/list/the-worst-movies-we-own-podcast-ranking-and/

Robert Towne directs Mel Gibson, Michelle Pfeiffer and Kurt Russell in this thriller where childhood friends, a cop and a retiring drug smuggler, square off over a restaurant hostess.

Chinatown writer Robert Towne clearly thought he was making the next Casablanca and while the star power is certainly there it all pours out flat like tainted champagne. Everyone looks beautiful but you could only hand on your heart say Raul Julia manages to make the words of the script come to life. I get the feeling Towne didn’t allow his top billed beauties to do anything more than recite his precious but clunky dialogue as accurately as possible. It doesn’t ignite and the lengthy marina ending goes around in circles. Some strange sex scenes and classy cocaine era fashions save this forgotten misfire.

5

Check out my wife Natalie’s Point Horror blog https://cornsyrup.co.uk

We also do a podcast together called The Worst Movies We Own. It is available on Spotify or here https://letterboxd.com/bobbycarroll/list/the-worst-movies-we-own-podcast-ranking-and/

Makoto Shinkai directs Ryunosuke Kamiki, Mone Kamishiraishi and Aoi Yūki in this animated Japanese teen body swap romance where two kids spend random days in each other’s bodies… enjoying their different cultures and helping each other’s love lives.

That’s only a third of Your Name’s plot… the cosmic narrative leaps the rails a couple of times in ways that are discombobulating but pay off massively. The seamless animation and hyper detailed design are stunning… transporting you to both the overwhelming sparkle of Tokyo and a glorious pastoral coastal town. Tourism porn really for those of us trapped in our flats. Comedy, magic, adventure, mystery and sci-fi are threaded into the base hook in exciting ways. It is a restless, enthusiastic film that never quite settles into being any single thing. The emotional reward at the end is hard earned and quite effecting. A bright, poppy treat – possibly the closest any international culture has got to recreating the multi-genre joys and slickness of Back To The Future. And I don’t type that particular commendation lightly.

8

Check out my wife Natalie’s Point Horror blog https://cornsyrup.co.uk

We also do a podcast together called The Worst Movies We Own. It is available on Spotify or here https://letterboxd.com/bobbycarroll/list/the-worst-movies-we-own-podcast-ranking-and/

Adam Robitel directs Taylor Russell, Deborah Ann Woll and Logan Miller in this horror thriller where six strangers have to escape a series of lethal puzzle traps.

Better than its reputation. At least two of the constant ticking clock set pieces are intense and inventive. It may crib a fair amount from Cube and Saw but it does so with a glossy visual flair. You care about the two lead actresses a lot more than the men thanks to sympathetic performances from Woll and Russell.

6

Check out my wife Natalie’s Point Horror blog https://cornsyrup.co.uk

We also do a podcast together called The Worst Movies We Own. It is available on Spotify or here https://letterboxd.com/bobbycarroll/list/the-worst-movies-we-own-podcast-ranking-and/

Abel Ferrara directs Tom Berenger, Billy Dee Williams and Melanie Griffith in this crime thriller where the thugs who run a stripper agency based around 42nd Street find business dries up when a slasher starts mutilating the girls.

If only a movie could live up to its first five minutes. As the opening credits roll through the sleazy streets of Manhattan, we hear an actual New York Doll singing about New York Dolls and peak Melanie Griffiths stripping and gyrating and thrusting while a baying crowd lap up every neon-lit revealed curve of her flesh. You feel hot and sticky… there’s an anonymous freak cutting his way up to the star girl… suddenly the strip bars are deserted and girls are pulling out… the mafia wants action… And nothing really happens. It just kinda idles in the electric puddle milieu. I don’t mind hanging out in this era and this location but it is a long wait until the eventual happenstance alleyway fight that wraps things up neatly. The killer remains uncredited.

6

Check out my wife Natalie’s Point Horror blog https://cornsyrup.co.uk

We also do a podcast together called The Worst Movies We Own. It is available on Spotify or here https://letterboxd.com/bobbycarroll/list/the-worst-movies-we-own-podcast-ranking-and/

Robert Aldrich directs Lee Marvin, Ernest Borgnine and Keith Carradine in this Depression era action movie where the unofficial king of the hobos, A-No. 1, wants to ride a rail line policed by the deadly conductor Shack.

Barneys, stunts, bum humour, scruffy period dress, breathtaking locations and choo-choos. Either you wanna watch dirty Marvin and nasty Borgnine old man fight on top of a speeding train with chains and 2by4s or you don’t. Don’t waste my time if you are the latter! “Stay off the tracks. Forget it. Its a bum’s world for a bum. You’ll never be Emperor of the North Pole, kid. You had the juice, kid, but not the heart and they go together. You’re all gas and no feel, and nobody can teach you that, not even A-No.1. So stay off the train, she’ll throw you under for sure. Remember me for that. So long, kid.”

8

Check out my wife Natalie’s Point Horror blog https://cornsyrup.co.uk

We also do a podcast together called The Worst Movies We Own. It is available on Spotify or here https://letterboxd.com/bobbycarroll/list/the-worst-movies-we-own-podcast-ranking-and/

David Michôd directs Timothée Chalamet, Joel Edgerton and Sean Harris in this dark retelling of Henry V’s battles with France.

From a director not shy of darkness and frenzy, I want to be able to pinpoint more reasons why I couldn’t enjoy this beyond the winsome and flat Chalamet. But I can’t. He’s just a wet, unconvincing presence as always. This feels like Game of Thrones cosplay, wasting a strong cast who are subservient to a wafer thin lead. Robert Pattinson makes the best impression as a punkishly arrogant Dauphin, proof that there is a way out of the pretty boy ghetto. I doubt wee Timothée will ever reconfigure himself as someone you look forward to being cast though, he really is just a wan face… After a while I was opening side windows to look up actors and check my emails… there was no way to fully engage with Michôd well staged vision when we kept returning to such an unlikable anachronistic drip leading the charge.

5

Check out my wife Natalie’s Point Horror blog https://cornsyrup.co.uk

We also do a podcast together called The Worst Movies We Own. It is available on Spotify or here https://letterboxd.com/bobbycarroll/list/the-worst-movies-we-own-podcast-ranking-and/

Kōji Fukada directs Tadanobu Asano, Mariko Tsutsui and Kanji Furutachi in this Japanese mystery where a strange loner moves in with a family, pulling at their quiet existence with insidious intent.

Slow burn and open to multiple interpretations, Fukada’s domestic thriller explores the unspoken secrets between people who should have nothing hidden from each other. The whole movie pivots on a shocking incident in the middle so I don’t want to say too much. Don’t expect set pieces or resolution… this is very much an exploration of the sides of ourselves we do not show even to those we share our lives with. Strong acting from Asano and especially Tsutsui. Fukada lays a strikingly simple red and white colour plan onto the often eerily unpopulated suburban world.

7

Check out my wife Natalie’s Point Horror blog https://cornsyrup.co.uk

We also do a podcast together called The Worst Movies We Own. It is available on Spotify or here https://letterboxd.com/bobbycarroll/list/the-worst-movies-we-own-podcast-ranking-and/

Guy Hamilton directs Roger Moore, Jane Seymour and Yaphet Kotto in this 007 action movie where Bond investigates a drug distributor and dodgy ambassador who share the services of a psychic virgin.

The one where Bond runs over the alligator! EON’s confidence that they have the right man to replace Connery is evident. Moore is given little fanfare in his introduction, it feels very much like business as usual rather than a forced rebranding. He in turn has no interest in aping Connery and just relaxes through the globetrotting and enforced perils in his own inimitable suave as fuck style. Almost too relaxed! The script doesn’t have any big action until the final third and then most of it is an endless speed boat chase through the bayou – more interested in gags than thrills. The passable action is the only element that lets Live And Let Die down though. Everything from the dainty innocent sexpot to the rollicking Wings theme song cooks. There is some controversy about the voodoo and blaxploitation elements. Bond has never been, and should never be, a bastion of good taste. A weak defence would be it is far less gallingly racist than Fleming’s novel. A strong counter though I found put eloquently in a Den of Geek retrospective: “Kananga, Tee Hee, and Baron Samedi are all intelligent, charming and, crucially, competent villains who are depicted as Bond’s equals.” Thanks Max Williams for making a fantastic point… Live And Let Die abandons Blofeld and gives 007 some proper memorable fresh threats to face of against. Kotto, Julius Harris and Earl Jolly Brown make for positively formidable opponents and anyone who has witnessed Geoffrey Holder’s unrestrained weirdness as Baron Samedi knows these are exactly the strong support performances that make for an outstanding Bond. The pleasing supernatural notes have never been deployed in the franchise again but they meant Moore began his tenure with an indelible explosion of cool and colour.

8

Check out my wife Natalie’s Point Horror blog https://cornsyrup.co.uk

We also do a podcast together called The Worst Movies We Own. It is available on Spotify or here https://letterboxd.com/bobbycarroll/list/the-worst-movies-we-own-podcast-ranking-and/

Wes Anderson directs George Clooney, Meryl Streep and Jason Schwartzman in this stop motion animated adaptation of Roald Dahl’s childrens classic about a fox who steals from some vengeful farmers.

Anderson bolts on his shabby chic house style and Manhattan neuroses to the beloved tale, not always seamlessly. There’s a hyper cool wit to the script that makes you forgive all the additions and alterations. It looks comfy and raggedy enough to marvel but I doubt kids really get the archness of it all or care about psychological anxieties of the family. Still any scene were Clooney’s impeccably cast Mr Fox faces off against Willem Dafoe’s Nouvelle Vague rat is a joy.

7

Check out my wife Natalie’s Point Horror blog https://cornsyrup.co.uk

We also do a podcast together called The Worst Movies We Own. It is available on Spotify or here https://letterboxd.com/bobbycarroll/list/the-worst-movies-we-own-podcast-ranking-and/