Frank Oz directs Bill Murray, Richard Dreyfuss and Julie Hagerty in this comedy where a pompous psychoanalyst is stalked by his new patient who cannot take no for an answer.

Sunny anarchy. Any other Saturday Night Live star and this vehicle would be the pinnacle of their career. For Murray it is just another Monday. Retrospectively his hit rate is incredible for a comedy actor even before he started working with Sofia Coppola and Wes Anderson. He is playing against type here. More savant than smart arse. The vulnerability works. It helps that Dreyfuss’ arrogant doc needs to be taken down a peg or a hundred. His downfall is sublime. Ends very abruptly though.

8

Perfect Double Bill: The Man Who Knew Too Little (1997)

I write regular features about live comedy for British Comedy Guide here https://www.comedy.co.uk/people/bobby_carroll/features/ and my own Substack https://substack.com/@edinburghlaughterbulletin

Osgood Perkins directs Theo James, Theo James and Tatiana Maslany in this Stephen King horror about a cursed wind up toy.

The first 40 minutes of this are so strong it is kinda frustrating it goes off the boil. A homage to the early days of VHS comedy horror.

7

Perfect Double Bill: ‘Salem’s Lot (2024)

Josh Ruben directs Olivia Holt, Mason Gooding and Jordana Brewster in this rom-com horror where a masked killer stalks couples on Valentines Day.

Solid concept, memorable mask and explicit kills. A better parody of romance movies than slashers but both Ruben’s feet are firmly planted into being entertaining rather than elevated. That’s sweet. Third act is a bit too formulaic.

6

Perfect Double Bill: Clown In a Cornfield (2025)

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Christian Gudegast directs Gerard Butler, Pablo Schreiber and O’Shea Jackson Jr. in this heist actioner where the bad boys of the L.A. Sheriff’s Department chase an ambitious bunch of bank robbers.

Butler’s Big Nick is a hoot. Two good action sequences with a 100 minutes of sweaty muscle flexing and dumb chest thrusting inbetween. This is shamelessly Heat reheated.

6

Perfect Double Bill: Den Of Thieves 2: Pantera (2025)

Luchino Visconti directs Antonio Arcidiacono, Giuseppe Arcidiacono and Venera Bonaccorso in this classic of Italian Neo-Realism where a family of fishermen try to become independent from the price fixing wholesalers.

I watched the for A-Level Film Studies as a teenager. 2 and a half hours of misery. Slow misery. Yet also a perfect example of the Neo Realist movement. On location filming. Non actors approximating roles that reflect their day to day lives. Politically critical of the unfair imbalances of unchecked capitalism. But also… we just aren’t used to lingering on failure in cinema. Fall and rise? Sure. But Visconti holds steadfast on the ruin of their fortunes and the unravelling of the family. A lot of people are impressed that an aristocrat’s son, born into wealth and privilege, made such a work with a beating Communist heart. I’m not so persuaded. I see a movie whose ultimate message is “Stay in your lane.” Otherwise the community will shun you, the masters will mock you, your house will be lost and your sister will become a whore. Don’t try, don’t struggle, don’t break free. Pessimism rather than realism, possibly pessimism with a vested interest in the status quo. Still… a very beautiful process movie (Mediterranean fishing as graft and risk) and surprisingly well acted given the amateur one-time-only cast.

7

Perfect Double Bill: Ossessione (1943)

I write regular features about live comedy for British Comedy Guide here https://www.comedy.co.uk/people/bobby_carroll/features/ and my own Substack https://substack.com/@edinburghlaughterbulletin

Wayne Wang directs Wood Moy, Marc Hayashi and Laureen Chew in this American indie where two cab drivers search San Francisco’s Chinatown for the mysterious Chan, who disappeared with their $4000.

Slight but reaching in a lot of directions, this is admirable stuff, often pleasurable too. A mystery with only missing clues and where the best witness is hidden behind a door. Pretty smart. Wang uses the quest as a delivery system to meet lots of Chinese Americans, sketching a community and celebrating some big personalities. There are naturalistic, humorous interludes between the cab drivers… clearly close friends but with a generation gap and differing philosophical outlooks. This is slowly becoming a ‘forgotten film’ which is a shame as it should deeply satisfy fans of Cassevetes and especially early Jarmusch.

7

Perfect Double Bill: Permanent Vacation (1980)

Penny Marshall directs Whoopi Goldberg, Stephen Collins and Carol Kane in this comedy thriller where a computer whiz who works at a New York bank inadvertently receives a coded message from a British spy.

My sister and I had this taped off the telly as kids so therefore watched it on repeat. Both the comedy and the espionage elements are pretty thin but Whoopi cooks. This is her vehicle and she knows it. There’s a couple of tasty trailer moments (Whoopi pretends to be a Supreme, Whoopi is dragged around the streets of New York in a stolen phone booth) but they rarely make much sense within the greater humdrum plotting. If you don’t have the nostalgia for this that I clearly do then knock off a couple of points.

6

Perfect Double Bill: Burgular (1987)

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Georges Méliès directs Victor André, Bleuette Bernon and Brunnet in this iconic early cinematic sci-fi short.

Undeniably cute and manic. 50 years before space travel was a reality the only thing this predicts correctly is the parades. Tumbling aliens. Lunar sleepovers. Scantily clad lady stars. We are gonna shoot a cannon of old professors straight into your eye, you stupid moon! Watched the colourised version (made from an old colour print) with French synth pop band Air’s soundtrack (which is pretty decent). Beyond it’s historical import, this is a breezy lark.

8

Perfect Double Bill: Metropolis (1927)

Phil Alden Robinson directs Robin Williams, Mila Kunis and Peter Dinklage in this dark comedy where a New Yorker who cannot suppress his rage is told he has 90 minutes to live.

Lots of cameos in this. Will sadly be remembered as the film where Robin Williams’ character attempts to commit suicide just before he did so in real life. It doesn’t have a lot else going for it frustratingly.

4

Perfect Double Bill: Short Time (1990)

I write regular features about live comedy for British Comedy Guide here https://www.comedy.co.uk/people/bobby_carroll/features/ and my own Substack https://substack.com/@edinburghlaughterbulletin

Doug Liman directs Matt Damon, Casey Affleck and Hong Chau in the buddy heist comedy.

A nice Eighties throwback that filled an evening with soft Elmore Leonard-esque posturing, a quickly sketched romance and one decent car chase. The on-location shoot made up for the 21st century digital flatness and the streaming service deep pockets budget was spaffed on a gold standard support cast. It ain’t Midnight Run but you could do a lot worse on a Tuesday night.

7

Perfect Double Bill: Wolfs (2024)